The latest oversized large wall art creation straight out of the art studio-
The Divine Trinity Tree is a monumental original painting by Ashvin Harrison, exploring the intertwined nature of love, identity, polarity, and existence. At this scale, the work becomes immersive — not simply something to view, but something to experience and reflect within.
At the centre of the composition, three figures emerge seamlessly from the trunk of a tree — a central male form, held and surrounded by two female figures. Rendered in refined hand-painted coconut charcoal realism, they appear unified yet distinct, forming a symbolic trinity that reflects the tension and harmony between masculine presence and feminine energy.
Embedded within this composition is a subtle reference to the Greek myth of Aphrodite and Adonis — the story of the goddess of love becoming infatuated with a strikingly beautiful mortal, a being born from a tree. After fostering him, both Aphrodite and Persephone became deeply connected to him, each representing different realms of existence — love, beauty, desire, and the underworld, transformation, and depth. Adonis himself became the centre of this duality, existing between two powerful feminine forces, neither belonging entirely to one nor the other.
This myth quietly echoes through the structure of the artwork. The central male figure reflects Adonis — emerging from the tree itself, symbolising both origin and existence. The two female forms surrounding him embody contrasting yet complementary aspects of the feminine. One turns inward toward him, representing intimacy, nurture, and emotional connection. The other looks directly outward, confronting the viewer, embodying awareness, perception, and the external gaze.
This duality creates a psychological tension within the piece. The viewer is not simply observing, but becomes part of the dynamic — pulled into the same balance of forces. The male figure remains centred within this interplay, not as a figure of control, but as one shaped by the energies surrounding him.
A particularly symbolic gesture lies in one female figure gently holding the hair of the other. Hair, often associated with identity, time, and growth, becomes a visual thread linking past, present, and future. The gesture suggests influence, continuity, and the shaping of self through experience. It reflects the idea that life is not linear, but interconnected — formed through relationships, moments, and unseen forces.
The tree itself acts as the foundation of all meaning within the work. Its trunk represents the physical body — grounded, present, and rooted in reality. From this foundation, the figures emerge, suggesting that identity is not separate from life, but grown from it. Above, the canopy expands into a vast field of gold, cream, and layered abstraction, dissolving form into movement. This represents thought, emotion, and the intangible energy of existence.
Gold shimmer and subtle sparkle medium are embedded throughout the canopy, catching light and shifting with perspective. These elements introduce a sense of the divine — not as something external, but as something inherent within life itself. The energy becomes an extension of consciousness, expanding beyond the physical into something infinite.
At the base of the trunk, a small door appears — a quiet but powerful detail. It suggests an internal passage, a threshold between the external world and the inner self. This recurring motif invites reflection that meaning is not found outwardly, but discovered within.
The Divine Trinity Tree reflects Harrison’s Motusrealism philosophy — where realism grounds the viewer in familiarity, and expressive abstraction reveals deeper, often unspoken truths. It exists between structure and freedom, control and chaos, the seen and the unseen.
At its core, this work is about balance and existence. The masculine and feminine are not opposing forces, but interdependent ones — shaping identity, perception, and purpose. Like Adonis within the myth, the central figure exists within this tension, influenced by both forces, yet defined by neither.
It is a meditation on love, time, and the nature of being — a reminder that we are not singular, but layered, shaped by the energies we move between and the experiences that define us.
Head to The Wall Art Gallery, Miami, USA to inquire about this original painting
Details:
Title: The Divine Trinity Tree (2026)
Artist: Ashvin Harrison
Medium: Coconut charcoal powder, acrylics, oil paints, gold shimmer paint, and sparkle medium on canvas
Canvas: Premium museum-grade 12oz cotton duck canvas
Size: 90 x 72 inches
Presentation: Rolled canvas
Technique: Charcoal realism combined with expressive layered abstraction and splatter dynamics
Finish: Multi-layered gesso base, sealed with archival museum-grade protective coatings
Authenticity: Signed on the front; hand-signed and dated on the reverse; includes certificate of authenticity
Shipping: Professionally packaged with full insurance for secure delivery